Archive › October, 2013

Thursday // Alumni Feature – Kelly Michaels

Kelly Michaels

Simple. Classic. Unique.

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IPS teaches you how to operate your camera, how to pose people, helps you find your niche in the world of photography, and how to start and run a photography business.  IPS is a complete package.

Last month I attended the Portraiture and Lighting workshop (if you haven’t taken it, take it!).  A good portion of the class is devoted to learning how to use your flash in a studio setting and outside on location. I really loved that part of the class. It is where I discovered my passion and what I want to focus on in my photography.

My plan is to specialize in children’s portraiture, sports team photography, and action sports photography. Currently I’m working on figuring out the logistics and business aspects of the latter two, so that I can start working with sports leagues to provide them with quality portraits that parents will be proud to display.

Interested in being featured here on the IPS blog? We want to feature you!

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Weekly Student Gallery | October 29, 2013

Here’s our Weekly Gallery of student work. These images were all turned in as part of student assignments due this week.

Autumn Leaves by Anna Johnson

I really like color contrast in this image that draws you clearly to the one green leaf in the pile of fall colors. The rule of thirds is also well used to place the leaf in a place of strength.

Evening coffee by Danita Beachy

I chose thise picture because it’s a fantastic use of the camera’s pop-up flash. To be honest, I don’t see it used well very often, but in this case it has filled in what would be very dark shadows on the side of the mug. Because of the flash we clearly see the detail and color of the mug balanced with the warm sunlight coming in from the background. Great job!

Flowers by Amanda Mueller

This is another great shot. To create this image, Amanda used an off-camera speedlight with a softbox on it to create an intense backlight. Way to go!

To learn more about our online classes, click on the Learn menu above.

R

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Photographing Cathedrals

Two weeks ago I was in Vienna, Austria, exploring Saint Stephen’s Cathedral in the heart of the city. Being inside a European cathedral is one of my favorite experiences in the world. Walking through an ancient doorway into darkness pierced through by beams of radiant light is an awe inducing journey that everyone should have the opportunity to undertake at least once.

The inside of a cathedral is a glorious place to photograph, yet it can be quite challenging as well. Here are 3 tips to make your cathedral experience more photogenic:

1. Underexpose in Dramatic Light

The beauty of dramatic light is that there are shadows and highlights. Your camera is probably going to be fooled by this, giving you an exposure that tries to reveal detail in the shadows, but lightens the bright areas too much. To show off the drama of the light, and preserve detail in the highlight areas, set your camera to underexpose. Start at 1 stop (-1) and adjust from there. (Don’t remember how to adjust your exposure? Check out this post.)

Saint Stephen's Cathedral in Vienna

Here’s my first shot, using the normal exposure settings. As you can see, the camera has picked up detail behind the altar, but has sacrificed the beauty of the areas where the light is actually falling.

In my adjusted exposure, I now have great detail in the illuminated areas and my shadow areas are much darker. This exposure preserves the drama of the scene and captures the essence of the light falling on columns.

2. Get Closer

The walls and ceiling of a cathedral are filled with intricate detail that demands photographing. Of course you’ll need to move your feet and zoom in to get as close as you can. When you can’t get any closer or zoom in any further, bring up the bottom edge of your photo. This doesn’t actually bring you any closer, but it makes you feel closer.

Saint Stephen's Cathedral - Vienna

Here’s two shots of the same thing from the same place, in the one on the left my statue is centered in the frame. The shot on the right has the statue at the bottom edge of the photo, making it feel much closer to us. Oh, and the top of the picture looks better too…

3. Photograph where the Light is

On this particular trip to Vienna I visited St. Stephen’s three different times. Each time the light was coming through different windows at different angles. As a tourist, I don’t have to photography any particular thing (as opposed to a professional under contract), so instead of fighting to make dark subjects light, or subjects in drab lighting look interesting, I photograph things that are already in interesting light. If there are particular things inside the cathedral that you are interested in photographing, schedule your visit so that you are there when the light makes them look their best.

Saint Stephen's Cathedral - Vienna

As a visual artist, these were some of the things that I could make the most compelling. I didn’t go into the cathedral with the specific intent to photograph these elements – they just had great lighting!

Have any other good tips for photographing cathedrals? Leave me a comment below!

R

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841,094 Memory Cards

Memory cards are one of those things that you only notice when they aren’t working right. I don’t think about mine until all of a sudden I’m out of space and have to swap to cards. Every now and then though, you’re going to need to buy new memory cards, and if you do enough thinking about it then, they will serve you well for a long time. A quick search for “memory card” on Amazon.com brings up 841,094 results – here’s what you need to know to choose the right one.

You’ll never be able to tell what memory card was used to record an image… so what difference do they make?

Format

Today’s memory cards come in 2 common formats: Compact Flash (CF) and Secure Digital (SD). You don’t have a choice between these, just use the kind your camera is built for. Compact Flash cards are bigger and more square, Secure Digital cards are more rectangular with a notch cut out of them.

Capacity

This is the only thing most people think about when they get a new memory card – how much data in can hold. Current card capacities range from 4GB  to 128GB. The capacity determines how many pictures can be stored on the card before it will need to be downloaded. The number of photos will depend on the megapixel rating and quality settings of your camera. Suffice to say, bigger is better.

Speed

In addition to capacity, memory cards are rated by speed. The faster the card is the quicker your camera can store the picture and be able to take another one and the faster the card will download to your computer. Speed is also very important when shooting video. If your card cannot keep up with the amount of data your camera is capturing the camera will cut off the recording.

Card speeds are reported by “Class” and speed. The higher the numbers, the faster the card. The Class number (4, 6, 8, 10, etc…) reports the MINIMUM sustained speed the card can handle. A Class 10 card guarantees that it can record video at 10MB/s or more at all times. The speed reporting, such as 80MB/s reports the maximum burst speed the card can handle in a pinch.

Quality

Quality can be measured in terms of capacity or speed, but what I mean here is the quality of the manufacturing and parts that go into each card. Different brands have different ways of indicating their Professional and Consumer lines. Professional cards are rated for higher and lower operating temperatures, and usually have higher speeds than Consumer cards. They may also come with an extended warranty and even data recovery software.

What I Use

I shoot with Sandisk Extreme and ExtremePro cards. I have shot with other cards over the years, but I continue to come back to Sandisk for the quality and reliability of their Extreme line. They are more expensive, but the quality is worth it. I did have one of my 8GB Extreme III CF cards fail on me after 5 or 6 years of use. I sent it back to Sandisk and they replaced it under their lifetime guarantee. I also like that these cards come with data recovery software for those times when something is accidentally deleted.

Leave me a comment to let me know what you shoot with or any questions you have!

R

 

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Feature Friday // Ramesh Raskar – A Trillion Frames

 

This Ted Talk is crazy awesome. Watch it!

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